![]() I’d go insane trying to separate the dialogue from the sound. So you just listen and listen and listen to the voices you think are gonna work for your character, and voices that are gonna work together. So the tone is set, the look of the characters is set, how they’re gonna move is set, but the voices aren’t. The voices are recorded before the animation is done, but the film is set – you’ve got the designs and you’re just about ready to animate. Actually, I cast pairs or triplets of characters that I knew had to work together. When we previewed the movie, I was a little afraid it might not work for little kids, but nobody budged. I saw the finished film with my first audience the other night, and they were with it every second. The overall effect is one that results from all these character, spatial and time perspectives coming together.ĭid you worry about accommodating younger viewers, given the complexity of the story? We have a multitude of character perspectives we also have different environments – you know, every action sequence has its own tone, its own personality – and then we also have this conceit in the movie that explains why can’t see these creatures. It’s an ensemble of characters, and I wanted to weave them all together and then see how they come out at the end. Was it tricky to balance the action in the world of the Leaf Men with the storyline in the normal-sized world? The story unfolds in two separate but interwoven spheres. Wedge is soldiering through a press day for his new film, Epic, a fantasy adventure in which a human teenager (voiced by Amanda Seyfried) is shrunk to teensy size to help a band of Leaf Men defend their forest from evil invaders. Seuss’ Horton Hears A Who! and Rio as well as the Ice Age sequels – has a nasty cough. The creator of the Ice Age series, and chief force behind the Blue Sky CG animation studio – maker of Robots, Dr. Chris Wedge will not be doing the Scrat voice today.
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